Not an app. A transmission. Real ceremonies of the Tibetan tradition, carried on a schedule — and then let go, as ceremony is meant to be.
Most of what calls itself a temple online is an endless on-demand feed you scroll at will. NeuroTemple is the opposite. A rite begins at its appointed hour. A field forms for those who are present. It holds, it echoes briefly, and it ends. What you receive is here — and then it is gone.
Nothing is kept on a shelf to be consumed at convenience. You attend, as you would a real ceremony — you do not “play” it. The transience is not a limitation of the format; it is the discipline of the thing.
The audio is not a mood-scape assembled from stock samples. Real ritual instruments — the kangling, the drum, the chant — are carried without translation and without dilution, in studio-grade lossless sound, through a custom spatial-audio engine built by Ruslan Bozhok: composer and sound engineer, whose field recordings from Lake Baikal date to 2006, and whose work is registered with the U.S. Library of Congress and ASCAP.
NeuroTemple stands on a real lineage of the Tibetan tradition. Its founder, Anastasia Nikolaeva, has studied for over fifteen years — in closed retreats and with teachers of the tradition — alongside academic training in psychology. Nothing here is invented for effect, and nothing is softened to flatter a foreign ear. The tradition is presented as it is.
The English temple is being built with the same care as the tradition it carries. A living broadcast keeps its own hours — this one is not open yet.